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      • Open Access Article

        1 - Criticism of politicization in Contemporary Novels (Case Study of a Political Novel: My Homeland’s Secrets)1
        ُseyyed ali seraj mostafa gorji
        Political Novel is one the fiction types of Persian literature with special features that is distinct from other movements of contemporary story writing. Due to its uniqueness of these kinds of stories, and their close interaction with society and social and political e More
        Political Novel is one the fiction types of Persian literature with special features that is distinct from other movements of contemporary story writing. Due to its uniqueness of these kinds of stories, and their close interaction with society and social and political events, critical discourse analysis (CDA) method is an appropriate approach in analyzing this kind of fiction. This approach focuses on form and meaning and in analyzing literary texts, it focuses also on different cultural, social, and political factors that are effective in text formation; it is for this reason that CDA theoreticians maintain that we do not deal just with lexical elements forming sentences as the main criteria for explaining meaning, that is co-text, but also beyond that, factors outside of text, i.e. situational, cultural, social and so on context. Norman Fairclough is a CDA theoretician who reviews texts in three levels, descriptive, interpretive and expressive. This method of analyzing is so useful in discovering and expressing intellectual ideas of authors and their political and social approaches. Theoretical framework of this research is based on Fairclough CDA. Research method is descriptive-analytic and it tries, based on CDA, to reflect on and reread “My Homeland's Secrets” Novel by Reza Barahini which is one the most brilliant political novels after Islamic Revolution, and reviews and analyzes main political events in Iran focusing on psychological issues like personalities and brilliant elements in it like title semiotics, images and descriptions, story’s characters (agent, passive and narrator), type of narration, design and dominant theme of story and … . Results show that this novel, as a literary text, is in interaction with Fairclough method of Discoursal action and social action and dominant hegemony and has close affinities with hegemonic discourse of three decade ago. Manuscript profile
      • Open Access Article

        2 - The Poetic Word Selection of Gheisar Aminpour by Critical Discourse Analysis Approach
        پریسا  صالحی
        Each artist may picture his/her political, social and cultural attitude in a different way, so Gheisar Aminpour was not an exception. He was one of the early revolutionary poets, who had involved in a number of ideological and religious values and had a stable belief on More
        Each artist may picture his/her political, social and cultural attitude in a different way, so Gheisar Aminpour was not an exception. He was one of the early revolutionary poets, who had involved in a number of ideological and religious values and had a stable belief on revolution’s principles and public ideality, to the extent that his poetry world was conceivably produced through a certain profound ideology. The interaction between the poet, Aminpour, and the political and social transformation in his society could make any individual study his poetry world by discourse analysis approach. Since any language could be supposed as a mirror of the thought (words as the mirror of the meaning), and the words’ role as well as their selection may certainly be significant in the process of analysis, this research is specified to the study of word selection of Aminpour’s poems by critical discourse analysis. Furthermore, it has focused not only on the study of Aminpour’s poetry world in terms of historical, political and social renovation of his era but also on his words’ selection, studied here, on three descriptive, interpretive and explanatory levels. In conclusion, the hidden meaning of the words are supposed to be revealed by critical discourse analysis tools to illustrate, more or less, the ideological attitude of the poet. Manuscript profile
      • Open Access Article

        3 - A Critical Study of the Validity of Gulestan Based on the Theory of Critical Discourse Analysis
        سيامک  صاحبي محمد‌ها‌‌‌‌دي  فلاحي نسترن  توكلي
        With a discourse analysis approach in the field of linguistic study of literature, the present article queries the distribution of discourse-based structures in Saadi’s Gulestan at the level of phrases, sentences and texts in order to explore the degree of explicitnes More
        With a discourse analysis approach in the field of linguistic study of literature, the present article queries the distribution of discourse-based structures in Saadi’s Gulestan at the level of phrases, sentences and texts in order to explore the degree of explicitness and implicitness of linguistic features used to express ideas in Gulestan , and to find the mystery of eternality of Sa’di’s speech. Presupposing that taking account of discourse structure can be helpful for understanding and interpreting a text, and relying on the fact that discourse is a meaningful linguistic unit having four features of systematicality, intentionality, objectivity, and being macro-linguistics, here in this article we have applied linguistic aspect of Van Leeuven’s model (1996) to find an answer to the question that what makes a work live on in cultural construction of different generations due to its linguistic features. Hence, after brief review of the relationship between literature and linguistics, we first introduce the subject and the research method. After that, critical discourse analysis and Van Livon’s model are introduced as basic concepts. This is followed by explaining the two categories of explicit and implicit features involved in Van Leeuven’s model. Dividing textual structure of Gulestan into two groups of narrative discourse-based and informative discourse-based structures, we analyze a text from the first chapter of Gulestan . Text analysis shows that in Gulestan the discourse-based features of implicitness such as deletion, passivization, de-personalization, referential and classificatory types are of high frequency in comparison with the features of implicitness. Measuring and explaining the degree of mysteriousness, we conclude that one reason for the eternality of Sa’di’s Gulestan is his use of the discourse-based features of implicitness. (Notice that here we deal with implicitness from a discourse approach not Gnostic and poetic one). This has made it possible for Sa’di to de-contextualize his narratives temporally, spatially, historically, politically; to hide their agents, actors, and patients, so communicate his own message through their speech prominently and effectively, and thereby make his work eternal for all centuries and generations. Manuscript profile
      • Open Access Article

        4 - Power Relations In "Shazdeh Ehtejab" Novel
        محمدعلي  غلامي‌نژاد Zainab  Saberpour
        Critical Discourse Analysis (CDA) is a branch of linguistic studies which deals with such concepts as power, domination and ideology. The present article surveys the relations between the power agents in "Shazdeh Ehtejab", and the changes in the shapes of applying power More
        Critical Discourse Analysis (CDA) is a branch of linguistic studies which deals with such concepts as power, domination and ideology. The present article surveys the relations between the power agents in "Shazdeh Ehtejab", and the changes in the shapes of applying power from a CDA approach. To do this, we closely studied the artistic and fictional arrangements of the text, analyzed it as a discourse product of its historical context. Considering the events and the figures of the time when this novel was written, and its social- political context reveals that the contrast between the intellectuals and the totalitarian government has drawn the author toward the meaningful selection of historical events. Under the influence of the intellectual discourse of his time, Golshiri represents the power and violence, leading to the degradation of Qajar royal family. In this way he has set a balanced analogue between his work and the social- political conditions during Pahlavi's regime. Manuscript profile
      • Open Access Article

        5 - A Critical Review and Analysis of the Narrative Technique in a Story of the Golestan of Saadi
          mostafa gorji
        One of the main subjects that has been a matter of attention to the literary researchers is reviewing the narrative techniques of the poets and writers who are well known in the field of narration. Discovering the mystery of these narratives, not only can manifest th More
        One of the main subjects that has been a matter of attention to the literary researchers is reviewing the narrative techniques of the poets and writers who are well known in the field of narration. Discovering the mystery of these narratives, not only can manifest the value of the previous works, but also helps today’s writers in achieving the effective narrative techniques. Discovering the deeper layers of the Golestan of Saadi demands deep thinking, and through reviewing and reinterpreting it, new literary potentials can be found. This research aims at a critical study and analysis of narrative discourse and the structure of narration in the story about a young boxer in the third chapter of Golestan. It shows how much Saadi has been successful in induction of his beliefs through finding the proper forms related to them and based on the assimilation of form and content, he creates a piece of work which has different dimensions of a literary work all together, a work which satisfies the audience through different eras. Manuscript profile
      • Open Access Article

        6 - A Critical Analysis of Women’s Role in Sindbad-Nameh
        Shiva Kamali Asl Habibollah Abbasi effat neghabi esmat khoeini
        Literature is a mirror that reflects the culture, and fictional texts are an appropriate ground upon which these cultural reflections in a variety of fields, including issues related to female status could be examined. In this research, two anecdotes were selected from More
        Literature is a mirror that reflects the culture, and fictional texts are an appropriate ground upon which these cultural reflections in a variety of fields, including issues related to female status could be examined. In this research, two anecdotes were selected from Sindbad-Nameh to analyze the female role. Although the text of Sinbad-Nameh has been produced in a historical misogynistic context, there are many examples of the female power in it. This paper, with a descriptive-analytical approach, studies the text based on Fairclough’s critical discourse analysis method, at three levels of description, interpretation and explanation, to analyze the mechanisms of the representations of the female power. As a result, it was concluded that the women in this work have an active and powerful presence and that their active role in shaping the anecdote process is evident. Also, despite the negative attitude towards women, the signs of their hidden power can be observed. In this work, Women use intangible means of power such as language, tact, intelligence and politics to achieve their goals and if the ways to gain the constructive and lofty goals are closed to them, that power is sometimes misused. Manuscript profile
      • Open Access Article

        7 - Critical Discourse Analysis of Samad Behrangi’s “Mahi Siah Kouchoulou”Tale
        alireza moghadam      
        “Samad Behrangi” is a critic of the children's literature as well as the education system before him and tries to use the capabilities of children's literature to achieve his ideological goals.This study seeks to show how children's fiction, influenced by existing disco More
        “Samad Behrangi” is a critic of the children's literature as well as the education system before him and tries to use the capabilities of children's literature to achieve his ideological goals.This study seeks to show how children's fiction, influenced by existing discourses and the social structure that produces these discourses, offers a different conception of education and how discourses reflect the concepts of education.This research attempts to show how children's fictional literature influenced by the existing discourses and the social structure producing these discourses, affords a different conception of education and how discourses play a role in reflecting the concepts of education. In this study, an attempt was made to review, analyze and explain the story of Behrangi’s “Mahi Siah Kouchoulou”Tale from Norman Fairclough’s approach. Our goal is to show what discourse or discourses the text is referring to by accurately analyzing the story and what relationship does this text establish between education and the social and political dimensions? Situational context reinforces the assumption of the author's ideological point of view. The result of this research, based on the analysis of critical discourse, is that Behrangi in this story has described and criticized four common contemporary discourses, namely authoritarianism, nationalism, religion and the Marxist left. The fourth discourse is Behrangi’s dominant and dependence discourse. In this work, Behrangi tries to make his discourse superior to other discourses by choosing specific words, characters, places, and metaphorical aspects.The themes of education in this story are often influenced by the left discourse and other common confrontational discourses and are formed in opposition to the discourse of the system of domination (the discourse of tyranny). Manuscript profile
      • Open Access Article

        8 - Agency and Passivity of women in the novel "Tubaa and Manaay-e shab"
        زينب  صابرپور
        In the novel "Tubaa and Manaay-e shab", the confrontation of tradition and modernity in the contemporary history of Iran in relation to the status of women is in the focus.In this paper, the female characters of this novel,especially the novel’s heroine, Toubaa, have be More
        In the novel "Tubaa and Manaay-e shab", the confrontation of tradition and modernity in the contemporary history of Iran in relation to the status of women is in the focus.In this paper, the female characters of this novel,especially the novel’s heroine, Toubaa, have been analyzed from the perspective of agency or passivity in relation with tradition andit has been shown that the desire for women autonomy and activism is suppressed through the processes of education and punishment.This paper is in the field of critical discourse analysis and its theoretical framework has been driven from Simone de Beauvoir’s views on femininity in her book, "The Second Sex", and the textual analysis has been done based on systemic-functional linguistics.The achievements of this research show that in this novel the contrasting pair of agency and passivity is represented in relation to the duality of tradition and modernity,and the process that Beauvoir calls "learned passivity" is institutionalized in the existence of women from childhood by the agents of tradition, in various social institutions, the most important of which is the family.Also, textual analysis indicates that this passivity has been best reflected in the language of the text. Manuscript profile